Monday 30 April 2012

ZiNE / / Packaging Considerations

If i'm proposing an audio CD with vocalised poetry, it makes sense 
to incorporate this product into an existing part of the range.  So, for 
example, the CD could be sold alongside the zine- so that they 
work together, giving the customer a better deal.  


Some examples of contemporary / / interesting / / relevant
packaging designs incorporating published works amongst other 

things such as posters, prints and CD's:



[ Langscapes 1 (Ezra Jacobs a.o.) ]

A randomly chosen piece of text was the starting point for a series of 

collaborations between a number of composers/sound artists and 
myself. Both them and I created our own interpretation of the given 
text, resulting in a combination of a visual work and a piece of music 
released in a limited edition of 50 pieces. The Langscapes project 
consists of three releases.




client: self initiated
size: 50 × 70 cm
techniques: laser print, silkscreen










ZiNE / / Contemporary Reference

[ HeART&Society ]
Design for the 'young talent' issue of a magazine for and about 

Dutch artists for Kunstenaars&CO (now Cultuur en Ondernemen). 









circulation: 8000
client: Kunstenaars&CO
printing: Roto Smeets
size: 200 × 265 mm
techniques: offset print, uv spot varnish

Source




[ How to Survive... ]

How to Survive The Hague is a survival guide containing very useful 

information for international students studying at the Royal Academy 
of Art. Find out how our public transport works, how to find a job or 
where to get drunk in The Hague. 








circulation: 500
client: Studio KABK
pages: 80
printing: Veenman Drukkers
size: 105 × 148 mm
technique: offset print

Source




[ Design Mass ]

Book design for a book containing essays by three theoreticians who - 

during the Dutch Design Week - brainstormed and developed ideas 
about topics such as technology and aesthetics.
Essays by Florian Schneider (DE), Koert van Mensvoort (NL) and 

Koen Vermeir (BE).
Published by Onomatopee.

i.c.w.
Jeremy Jansen






circulation: 550
client: Onomatopee
pages: 112
printing: New Goff
size: 110 × 180 mm
technique: offset print

Source 


[ Intimate stories on absence ]

Book designed and published in the aftermath of a one year AIR 

program. Artists Tom Tlalim (II/NL) Lieven De Boeck (BE), Frank 
Havermans (NL), Shinji Otani (JP) and Sachi Miyachi (JP) brought 
about new perspectives on the Amsterdam Zuidas area; an enormous 
urban project. The outcome was displayed in an exhibit; further 
considerations are highlighted in a publication.

Torn front (2) and back (1) covers, futhermore the first 64 pages are 

rainbow printed (grey-green-grey), 16 pages were printed using red 
and opaque ink and the book also contains 8 torn pages wrapped 
around different sections.All tearing was done by hand and each book 
is unique.

Published by
Onomatopee
i.c.w. Remco van Bladel








 




















circulation: 750
client: Onomatopee
pages: 192
printing: Lecturis
publisher: Onomatopee
size: 170 × 240 mm
techniques: offset print, rainbow print

Source



[ Graduation Catalogue KABK 2009 ]

456 page catalogue containing all graduation projects of the students 

of the Royal Academy of Art in 2008-2009.

One's graduation is an ending of one thing but at the same time - and 

perhaps much more important - the beginning of something else. Something 
new.
Besides that, we also asked the students to tag their work with predefined 

and self-defined keywords, like: autonomous, conceptual, typographic, 
emotional, colourful, decorative, etc.
These tags were presented next to their work but also as clear, informative 

lists explaining how many times students from a certain course selected a 
specific tag or how many times a tag was selected in total amongst the 200 
raduates. This information gave more insight in how students of specific 
courses think of their own work.
For example: 'conceptual' was the tag that was selected the most while almost 

no one selected 'decorative'.

The tags also became navigational elements in the web-version of the book.


i.c.w.
Mattijs de Wit






 











circulation: 1700
client: Studio KABK
printing: Ando
size: 170 × 240 mm
technique: offset print

Source 

"Twenty-volume folios will never make a Revolution. It is the little pocket pamphlets that are to be feared."

— Voltaire, the French writer/philosopher/infidel      



Because I want to work with type and layout it makes sense 
to work with publishing and copy text.  Initially, my idea 
was to produce a grid for a magazine and create my own 
content.  However, I think that the content in a magazine is 
not as focused as it should be given my subject matter.

A zine (play /ˈzn/ ZEEN; an abbreviation of fanzine, or 
magazine) is most commonly a small circulation  
publication of original or appropriated texts and images. 
More broadly, the term encompasses any self-published 
work of minority interest usually reproduced via 
photocopier.
A popular definition includes that circulation must be 
5,000 or less, although in practice the significant majority 
are produced in editions of less than 1,000, and profit is 
not the primary intent of publication.


Another definition i've found:
'A zine
(an abbreviation of the word fanzine, or magazine)

is an independently created publication, featuring original
or appropriated texts and images. Zines can be put together
by one person or a group of people and are usually
photocopied.

The contents are anything you want them to be; personal
experiences and journals, art and design, political ideologies,
music, travel stories, comics, photography, ephemera, single-
topic obsession.'

Source
I've looked into 'zines'.  Using the word for a long time, i've 
never really known the exact definition.  By defining this 
term I can really direct my project in a way that answers the 
brief successfully.  - if I don't even know somethings meaning 
how can I claim to have any understanding of said 'thing'.

Well known Zines:

[ COMETBUS ]










A quick search into google reveals that 'COMETBUS' is one of the 
worlds most well known zines.
Cometbus is most famous for publishing the zine  Cometbus, which 

he began in Berkeley, California in 1981.[5] Cometbus has self-
published the usually-handwritten zine ever since, despite a few 
breaks. The name Cometbus was coined by Gregg Turkington during 
the early days of the magazine when the name changed from issue to 
issue. Cometbus consisted of band interviews, personal diaries, artwork, 
and observations on the punk subculture in the San Francisco Bay Area 
and beyond. The zine captured a slice of life in Oakland and Berkeley,  
California from the late 1980s through the 1990s. This includes squatting
collective living, falling in love and other perils of the punk rock lifestyle. 
Cometbus's writing is characterized by stories of loneliness and alienation, 
 tempered with episodes of brightness and perennial hope in the ability of 
humans to connect to one another.
Source




 

[ DAZED & CONFUSED ] 












'The magazine with the long established reputation of having the best 
fashion, photography and art content in the entire world, Dazed & 
Confused also includes equally high-quality pieces on film editorial 
and music, and is one of the best magazines for any lover of culture.'
Source

It began in 1991 as a monochrome poster / / zine, however, it quickly 
grew to the status of a fully printed, colour magazine.  The founders 
Rankin and Jefferson Hack first met at London College of Printing 
((Present day) London College of Communication) in London’s 
elephant and Castle.






Similar to Dazed and unlike Cometbus, I want to approach my 

reading of a zine in a muchmore considered sense from a design 
point of view.  for example, layoutwill be a main focus.  For now, 
it doesn't necessarily have to be consistent, more, focusing on 
existing rules of type and layout.



Take note / /

To look at: